Michael's Early years (continued)
Relocating to Los Angeles, Michael and his brothers started work on their music and dancing with their father as their manager. They lived with Gordy and also with Supremes singer Diana Ross when they first arrived there. In August 1969, the Jackson 5 was introduced to the music industry at a special event, and later served as the opening act for the Supremes. Their first album, Diana Ross Presents the Jackson 5, hit the charts in December of that year. It's first single, "I Want You Back," hit No. 1 on the Billboard Hot 100 chart in January 1970. More chart-topping singles quickly followed, such as "ABC," "The Love You Save," and "I'll Be There."
At the age of 13, Jackson launched a solo career in addition to his work with the Jackson 5. He made the charts in 1971 with "Got to Be There" from the album of the same name. His 1972 album, Ben, featured the eponymous ballad about a rat. The song became Jackson's first solo No. 1 single. For several years, Michael Jackson and the Jackson 5 maintained a busy tour and recording schedule, under the supervision of Berry Gordy and his Motown staff. Gordy wrote many of the songs recorded by the group and by Michael Jackson as a solo artist. The group became so popular that they even had their own self-titled cartoon show, which ran from 1971 to 1973. Despite Jackson's individual achievements and the group's great success, there was trouble between the Jacksons and their record company. Tensions mounted between Gordy and Joseph Jackson over the management of his children's careers, and their level of participation in making their music. The Jacksons wanted more control over their recordings, which led to most of the Jacksons breaking ties with Motown in 1975. Jermaine Jackson remained with the label and continued to pursue a solo career, having previously released several albums—none of which had matched the success of his younger brother Michael.
At the age of 13, Jackson launched a solo career in addition to his work with the Jackson 5. He made the charts in 1971 with "Got to Be There" from the album of the same name. His 1972 album, Ben, featured the eponymous ballad about a rat. The song became Jackson's first solo No. 1 single. For several years, Michael Jackson and the Jackson 5 maintained a busy tour and recording schedule, under the supervision of Berry Gordy and his Motown staff. Gordy wrote many of the songs recorded by the group and by Michael Jackson as a solo artist. The group became so popular that they even had their own self-titled cartoon show, which ran from 1971 to 1973. Despite Jackson's individual achievements and the group's great success, there was trouble between the Jacksons and their record company. Tensions mounted between Gordy and Joseph Jackson over the management of his children's careers, and their level of participation in making their music. The Jacksons wanted more control over their recordings, which led to most of the Jacksons breaking ties with Motown in 1975. Jermaine Jackson remained with the label and continued to pursue a solo career, having previously released several albums—none of which had matched the success of his younger brother Michael.
An Uprising Star
Now calling themselves the Jacksons, the group signed a new recording deal with Epic Records. With 1978's Destiny, Michael Jackson and his brothers (which by now included younger brother Randy) emerged as talented songwriters, penning all of the record's tracks. Working with producer Quincy Jones, Michael Jackson wowed the music world with his next solo album, 1979's Off the Wall. It featured an infectious blend of pop and funk with such hit tracks as the Grammy Award-winning "Don't Stop 'til You Get Enough," "Rock with You," and the title track. He also found success with the ballad "She's Out of My Life."
The overwhelmingly positive response to Michael's latest solo album also helped buoy the Jacksons' career as well. Triumph (1980) sold more than one million copies, and the brothers went on an extensive tour to support the recording. Jackson, however, began to branch out on his own more. Teaming up with rock legend Paul McCartney, Jackson sang on their 1982 duet, "The Girl Is Mine," which nearly reached the top of the pop charts.
The song also appeared on his next solo album, Thriller (1982), which generated seven Top 10 hits. On a television special honoring Motown, Jackson performed "Billie Jean"—eventually a No. 1 hit—and debuted his soon-to-be-famous dance move called "The Moonwalk." Jackson, a veteran performer by this time, created this step himself and choreographed the dance sequences for the video of his other No. 1 hit, "Beat It."
His most elaborate video, however, was for the album's title track.John Landis directed the horror-tinged video, which featured complex dance scenes, special effects, and a voice-over done by actor Vincent Price. The video for "Thriller" became immensely popular, boosting sales for the already successful album.
The overwhelmingly positive response to Michael's latest solo album also helped buoy the Jacksons' career as well. Triumph (1980) sold more than one million copies, and the brothers went on an extensive tour to support the recording. Jackson, however, began to branch out on his own more. Teaming up with rock legend Paul McCartney, Jackson sang on their 1982 duet, "The Girl Is Mine," which nearly reached the top of the pop charts.
The song also appeared on his next solo album, Thriller (1982), which generated seven Top 10 hits. On a television special honoring Motown, Jackson performed "Billie Jean"—eventually a No. 1 hit—and debuted his soon-to-be-famous dance move called "The Moonwalk." Jackson, a veteran performer by this time, created this step himself and choreographed the dance sequences for the video of his other No. 1 hit, "Beat It."
His most elaborate video, however, was for the album's title track.John Landis directed the horror-tinged video, which featured complex dance scenes, special effects, and a voice-over done by actor Vincent Price. The video for "Thriller" became immensely popular, boosting sales for the already successful album.
Pepsi, Bad and Neverland
At the top of his game creatively and commercially, Jackson signed a $5 million endorsement deal with Pepsi-Cola around this time. He, however, was badly injured while filming a commercial for the soda giant in 1984, suffering burns to his face and scalp. Jackson had surgery to repair his injuries, and is believed to have begun experimenting with plastic surgery around this time. His face, especially his nose, would become dramatically altered in the coming years.
That same year, Jackson embarked on his final tour with the Jacksons to the support the album Victory. The one major hit from the recording was Michael Jackson's duet with Mick Jagger, "State of Shock." In 1985, Jackson showed his altruistic side, co-writing and singing on "We Are the World," a charity single for USA for Africa. A veritable who's who of music stars participated in the project including Lionel Ritchie, Ray Charles, Bob Dylan, Willie Nelson, Bruce Springsteen, and Tina Turner.
Releasing his follow-up to Thriller in 1987, Jackson reached the top of the charts with Bad. It featured five No. 1 hits, including "Man in the Mirror," "The Way You Make Me Feel," and the title track, which was supported by a video directed by Martin Scorsese. Jackson spent more than a year on the road, playing concerts to promote the album. While successful, Bad was unable to duplicate the phenomenal sales of Thriller.
That same year, Jackson embarked on his final tour with the Jacksons to the support the album Victory. The one major hit from the recording was Michael Jackson's duet with Mick Jagger, "State of Shock." In 1985, Jackson showed his altruistic side, co-writing and singing on "We Are the World," a charity single for USA for Africa. A veritable who's who of music stars participated in the project including Lionel Ritchie, Ray Charles, Bob Dylan, Willie Nelson, Bruce Springsteen, and Tina Turner.
Releasing his follow-up to Thriller in 1987, Jackson reached the top of the charts with Bad. It featured five No. 1 hits, including "Man in the Mirror," "The Way You Make Me Feel," and the title track, which was supported by a video directed by Martin Scorsese. Jackson spent more than a year on the road, playing concerts to promote the album. While successful, Bad was unable to duplicate the phenomenal sales of Thriller.
Raised as a Jehovah's Witness, Jackson was a shy and quiet person off-stage. He was never truly comfortable with the media attention he received and rarely gave interviews. By the late 1980s, Jackson had created his own fantasy retreat—a California ranch called Neverland. There he kept exotic pets, such as a chimpanzee named Bubbles, and had his own amusement rides. To some, it seemed that Jackson perhaps was exploring a second childhood. He sometimes opened up the ranch for children's events. Rumors swirled around him, including that he was lightening the color of his skin to appear more white and slept in a special chamber to increase his life span.
In 1991, Jackson released Dangerous, featuring the hit "Black or White." The video for this song included an appearance by child star Macaulay Culkin, and was directed by John Landis. In the video's final minutes, Jackson caused some controversy with his sexual gesturing and violent actions. Many were surprised to see the Peter Pan-like Jackson act in this manner.
Jackson's music continued to enjoy wide-spread popularity in the upcoming years.
In 1991, Jackson released Dangerous, featuring the hit "Black or White." The video for this song included an appearance by child star Macaulay Culkin, and was directed by John Landis. In the video's final minutes, Jackson caused some controversy with his sexual gesturing and violent actions. Many were surprised to see the Peter Pan-like Jackson act in this manner.
Jackson's music continued to enjoy wide-spread popularity in the upcoming years.